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Eine Veranstaltung von Freunde* Guter Musik Berlin e.V. in Zusammenarbeit mit Hamburger Bahnhof – Nationalgalerie der Gegenwart und Roter Salon der Volksbühne am Rosa-Luxemburg-Platz. Gefördert vom Hauptstadtkulturfonds.

Mit: Susanne Fröhlich – Flöten, Claudia van Hasselt – Stimme & Okkyung Lee – Violoncello, Nina Guo – Stimme

Parallel zur Ausstellung Saâdane Afif. Five Preludes (12.12.2025 – 13.09.2026) im Hamburger Bahnhof finden mehrere Performanceabende statt, die in direktem Zusammenhang mit den im Museum gezeigten Werken stehen. Afifs Arbeiten mit ihren vielfältigen Bezügen zur Kunstgeschichte des 20. Jahrhunderts setzen einen Prozess des Betrachtens und Interpretierens in Gang, in den auch Mitwirkende und die Betrachter*innen einbezogen werden. So lädt er Künstler*innen und Schriftsteller*innen ein, in ihren jeweiligen Sprachen poetische Kommentare zu seinen Werken zu verfassen. Eine Auswahl dieser sogenannten „Lyrics“, die in der Ausstellung an den Wänden angebracht sind, wird nun von in Berlin lebenden Musiker*innen live interpretiert. Im Roten Salon werden die von Augustin Maurs vertonten Texte zum Werkkomplex The Fountain Archives von Susanne Fröhlich und Claudia van Hasselt aufgeführt. Im zweiten Teil des Konzerts bilden einzelne Zeilen aus den Lyrics zur Installation Anthologie de l’humour noirden Ausgangspunkt für die Improvisation von Okkyung Lee und Nina Guo.

Die Performances sind Teil der Veranstaltungsreihe Hamburger Bahnhof On Tour. Mit dieser Reihe legt das Museum zu seinem 30-jährigen Jubiläum einen besonderen Schwerpunkt auf die Vernetzung mit anderen Berliner Kulturakteuren.

Weitere Informationen: www.freunde-guter-musik-berlin.de; www.smb.museum/hbf

Tickets ab 4. Mai erhältlich.

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