DIE CHOR

She’s back! It’s not that she was gone, she just preferred to remain in the background for a while, but she’s been there, all the time, since the beginning; even before the beginning she had been there –  anyway, now she’s back! This time she won’t need a counterpart to find her own self. This time she is the protagonist: DIE CHOR.

And how nice that the audience is back, too! The old flame with whom she’s shared ups and downs. And now the audience will witness how DIE CHOR has made it to the stage all by herself. Right to the very big proscenium stage.

DIE CHOR is on the verge of a breakthrough. And if no one else has the courage to cast DIE CHOR yet, they’ll have to do it themselves and shoot their own blockbuster. And perform in it Edit it. Including boom arms and a genuine score. But that’s no problem at all, we’re DIE CHOR! Having said this, we urgently have to sort out who’s in charge of doing the dishes today. Many a hand makes for a quick end. And then we can get started. Ready for new old dramas. The new old community. And our new old world.

A co-production by Dörr/Stuhler/Sulaver and Volksbühne am Rosa-Luxemburg-Platz. Funded by Hauptstadtkulturfonds.