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Über die allumfassende Kraft von Kunst

London, 2005: Nach vielen Jahren beim Film steht die Schauspielerin Dora wieder auf einer Theaterbühne – mit Anfang vierzig kann sie auf eine erfolgreiche Karriere zurückblicken. Als sie nach der Premiere in einer Bar auf den Maler Victor trifft, ist sie fasziniert: Wer ist dieser Mann, der noch nie von ihr gehört hat? Dora sieht in diesem Kennenlernen eine Chance, sich zu verstecken: vor ihrer Mutter, die ständig aus Frankfurt anruft, vor ihrer Agentin, die sie überzeugen will, auch mal andere Rollen zu spielen, vielleicht auch vor ihrem unsympathischen Kollegen, der immer wieder ihre Grenzen testet.

Nach einigen gemeinsamen Wochen beschließt Dora, dass Victor sie malen soll – doch als sie das Gemälde sieht, zieht es ihr den Boden unter den Füßen weg und lang vergessene Erinnerungen kehren zurück. Was glaubt Dora in dem Bild erkannt zu haben?

Letzter Akt zeigt meisterhaft das Zusammenspiel von Leben und Kunst und erzählt feinfühlig von einer Befreiung, die alles verändert.

Andreas Schäfer, 1969 in Hamburg geboren, in Frankfurt/Main aufgewachsen, lebt heute mit seiner Familie in Berlin. Er schreibt Romane, Essays, Libretti und Radiofeatures. Sein Debüt Auf dem Weg nach Messara wurde u. a. mit dem Bremer Literaturförderpreis ausgezeichnet. Es folgten die Romane (alle DuMont) Wir vier (2010), der u. a. für den Deutschen Buchpreis nominiert war, Gesichter (2013), der Spiegel-Bestseller Das Gartenzimmer (2020) und zuletzt Die Schuhe meines Vaters (2022).

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