de / en
Wir sind gleichzeitig überall in der Zeit. Geschichte plastisch denken
Éric Vuillard im Gespräch mit Shelly Kupferberg über "Die Tagesordnung"
26.03.

Discourse

German and French with translation into Barbara Hahn

Éric Vuillard is an unconventional (hi)story writer, his books are full of descriptions of skilfully gathered moments from world history. The Order of the Day, awarded the 2017 Prix Goncourt, tells of Adolf Hitler's path from the transfer of power in 1933 to the annexation of Austria five years later. A span of time that seemed familiar to many for a long time and yet, Vuillard lets the reader see it in a different light. It's the choice of moments, the clever commentary, the literary accoutrement of details and the unfettered treatment of time jumps that all bring us closer to these historical events and allow us to witness events that are still, and should be, incomprehensible. Using his much-discussed book as a starting point, Vuillard discusses the possibilities for conceiving of history as malleable with journalist and moderator Shelly Kupferberg. They also examine how literary approaches can be used to make history accessible – remembering between fact and fiction as a tool in a time in which we are supposed to never forget. – Passages from DIE TAGESORDNUNG, the German translation of Vuillard's work, will be read by actress Katja Gaudard.


26.03.20, 20:00
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Past Activities

Streitfall Identität

Questions of identity are the subject of heated debate in both the USA and Europe at the moment. On the one hand, we're talking about a loss of identity in a globalised society, and on the other, it's hyperindividualism that's threatening the experience provided by common social spaces.

This debate was brought to the larger political stage through the American election cycle and the election of Donald Trump as US president. In view of Brexit, and the growing authoritarian right-wing in Europe as well, the question of identity politics' level of influence on left-wing political discourse is being discussed vehemently. But can the struggles for emancipation from the women's movement, LGBTIQ activists or Black Lives Matter be played off against the fight for social justice?

Under the cipher “identity”, we're aiming to conduct a fundamental debate about what divides societies and what holds them together: Are questions about belonging, Heimat (homeland) and culture, or social and distributive questions more important? In the new “Streitfall Identität” series, sociologist and journalist Wolfgang Engler discusses these questions with his guests.

Sociologist Wolfgang Engler, born 1952 in Dresden, has published numerous studies about ways of life in East and West Germany, as well as critical analyses about the modern era, democracy and the transformation of the political and the public sphere, such as Lüge als Prinzip. Aufrichtigkeit im Kapitalismus, Bürger, ohne Arbeit. Für eine radikale Neugestaltung der Gesellschaft and most recently, Wer wir sind. Die Erfahrung, ostdeutsch zu sein, together with Jana Hensel. Wolfgang Engler was rector of the Ernst Busch Academy of Dramatic Arts from 2005 to 2017.

Hongkong-Proteste: die Smart City als Feind

The Swiss economist and investigative reporter Hannes Grassegger uses the example of the demonstrations in Hong Kong to show how people are battling, for the first time, against a highly-connected, digitalised Smart City. In this, the alleged city of the future becomes its residents' enemy. The personal futures of many pro-democratic Hong Kong residents depend on whether or not they can stop the flow of information about their conduct from reaching China.

After Grassegger's speech, Sabrina Apitz will serve as moderator for a discussion about shifts in the public sphere with Grassegger and director Kay Voges.

In cooperation with ARCH+

That’s not my story. Diversität und Perspektiven auf deutschen Bühnen

With: Susanne Keuchel (Director Akademie der Kulturellen Bildung des Bundes und Landes NRW), Thomas Köck (dramatist), Sandrine Micossé-Aikins (Head of the project office Diversity Arts Culture), Pınar Karabulut (director), Dan Thy Nguyen (director, actor), moderation: Leonie Adam

19:30 conversation Dr Susanne Keuchel and Sandrine Micossé-Aikins

What is diversity, and can it be ensured through mandated structural changes and quota systems? How can diversity and inclusion become an integral part of the system beginning with arts and culture education? And what criteria are being used to guide cultural policy?

Sandrine Micossé-Aikins and Susanne Keuchel discuss the current situation in the performing arts and measures that could be taken to get rid of the barriers that exist in the arts and culture industry.

20:30 panel discussion

Whose stories does the German theatre tell? Who's telling them, who's allowed to tell them and who makes those decisions? To whom does the freedom of art apply? Whose positions are represented on German stages? And what power structures and positions does the German theatre thereby reproduce? This panel discussion with directors and authors focuses on how they deal with these questions in their works.

Workshop: Critical Whiteness
Roter Salon, 16:00-19:00

Austausch zu Diskriminierungsschutz am Theater
Grüner Salon, 18:00-19:15

Streitfall Identität

An event within the framework of

Questions of identity are the subject of heated debate in both the USA and Europe at the moment. On the one hand, we're talking about a loss of identity in a globalised society, and on the other, it's hyperindividualism that's threatening the experience provided by common social spaces.

This debate was brought to the larger political stage through the American election cycle and the election of Donald Trump as US president. In view of Brexit, and the growing authoritarian right-wing in Europe as well, the question of identity politics' level of influence on left-wing political discourse is being discussed vehemently. But can the struggles for emancipation from the women's movement, LGBTIQ activists or Black Lives Matter be played off against the fight for social justice?

Under the cipher “identity”, we're aiming to conduct a fundamental debate about what divides societies and what holds them together: Are questions about belonging, Heimat (homeland) and culture, or social and distributive questions more important?

In the new “Streitfall Identität” series, sociologist and journalist Wolfgang Engler discusses these questions with his guests. For the series launch his guest is author and journalist Jagoda Marinić, who takes an active and sophisticated approach to her involvement in the current discourse with her books Sheroes. Neue Held*innen braucht das Land and Made in Germany, among others.

Sociologist Wolfgang Engler, born 1952 in Dresden, has published numerous studies about ways of life in East and West Germany, as well as critical analyses about the modern era, democracy and the transformation of the political and the public sphere, such as Lüge als Prinzip. Aufrichtigkeit im Kapitalismus, Bürger, ohne Arbeit. Für eine radikale Neugestaltung der Gesellschaft and most recently, Wer wir sind. Die Erfahrung, ostdeutsch zu sein, together with Jana Hensel. Wolfgang Engler was rector of the Ernst Busch Academy of Dramatic Arts from 2005 to 2017.

Jagoda Marinić, born 1977, is a writer and journalist who works in cultural management as well. She is a regular columnist for the Süddeutsche Zeitung and taz newspapers and also writes for The New York Times. She already received a nomination for the Bachmann Prize with her first novel Die Namenlose. Her latest work is a collection of essays titled Sheroes. Neue Held*innen braucht das Land. After stays in Zagreb, Split, New York and Berlin, Jagoda Marinić is now based in Heidelberg where she directs the intercultural centre.

Upcoming Activities:
Streitfall Identität. Wolfgang Engler im Gespräch mit Sahra Wagenknecht

Klaus Theweleit: Männerphantasien

About 40 years ago, Klaus Theweleit's massive investigation of the sexual, psychological and socio-political pre-history of National Socialism in the Weimar Republic was published under the title Männerphantasien (released in English as Male Fantasies 32 years ago). In light of the return of right-wing street violence and faschistoid talking points, as well as propaganda campaigns against more liberated sexualities – keyword: “gender insanity” – Theweleit's analyses are far too cauterising for the book to be relegated to the archive of great works. In a brand-new edition, expanded with an afterword, Männerphantasien is finally available again, to be discussed and put to political use.

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